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Monday, April 21, 2025

Ghibli responds to AI-generated art with a message to fans


Amid the growing debate over the use of artificial intelligence in art creation, the American distributor of Studio Ghibli films, GKids, issued a statement that reignited the discussion about the future of traditional animation. The statement, while subtle, was seen as a criticism of the use of AI to replicate the style of Hayao Miyazaki and the studio.

"In an era where technology tries to replicate humanity, we are excited to see that the public still values a cinematic experience that honors and celebrates the hand-crafted work of Hayao Miyazaki and Studio Ghibli in all its glory." — Chance Huskey, Vice President of Distribution at GKids

The statement came after the release of a new AI tool by OpenAI that allows users to generate images in various artistic styles, including the iconic look of Ghibli films. This led to a surge of AI-generated art flooding social media, many of which passed as human-made creations.

This is not a new issue for Studio Ghibli. Hayao Miyazaki had previously expressed his strong disapproval of using AI in animation, calling the technology an “insult to life.” The director’s viewpoint reflects the studio’s philosophy: every frame should convey soul and human intention, something that, according to him, AI cannot simulate.

A direct attack on Miyazaki's hand-crafted legacy Unlike digital or automated animated productions, Ghibli films are known for being hand-drawn, with direct supervision by Miyazaki. According to Akihiko Yamashita, animator of Howl’s Moving Castle, the director even redraws entire frames to ensure everything looks exactly as he envisioned.

The rise of AI-generated art raises legitimate concerns: will the audience be able to tell what’s real and what’s machine-made? And more importantly, could the popularization of automated art diminish the value of works created through human effort, discrediting the hard work of illustrators and animators?

Homage or exploitation? With more AI tools emerging to emulate styles like Ghibli’s, the line between homage and exploitation is becoming increasingly blurred. For advocates of traditional animation, like the Ghibli team, the warning is clear: AI may be undermining the very essence of art, which is made of sweat, imperfection, and human emotion — qualities that a machine still cannot replicate.

With the release of the 4K restored version of Princess Mononoke in IMAX cinemas, which earned $1.2 million in previews, the message from GKids is clear: the value of hand-crafted work is still immeasurable — and it must be preserved.

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